Sale Price:
€350.00
Original Price:
€400.00
Contemporary Canvases
Les Toiles Contemporaines
Edgar’s contemporary canvases open a new chapter in his artistic journey.
They are no longer quick bursts of instinct, but true spaces of breath and depth.
On these larger surfaces, he explores colour the way one explores a landscape: slowly, layer by layer, letting light appear, letting shadows settle, allowing movement to rise from underneath.
This series was born in many places: a windswept beach in Brittany where the air pushed the paint, a living room floor covered in paper where he worked side by side with a friend, a quiet room where he painted alone, fully absorbed.
Each canvas carries the memory of those moments — silence, motion, atmosphere.
Material plays a central role.
Edgar uses rollers, sponges, spatulas, brushes, and sometimes his fingers, stretching and softening the paint, building or erasing traces.
The surfaces become abstract landscapes: imagined forests, deep green interiors, misted horizons, floating sparks of colour that seem to drift just beneath the surface.
Nothing is figurative, yet everything evokes something.
In these works, colour speaks before form.
It shapes atmospheres, regions of calm, zones of intensity.
The canvases do not depict a place — they create one.
There is a surprising sense of maturity in this body of work.
When Edgar paints these larger pieces, he hardly speaks.
It is as if he steps inward for a moment, letting the painting guide him, letting the world quiet down around the gesture.
Displayed in a room, these canvases bring a presence that is both soft and powerful.
They do not tell a story — they invite one.
They are contemporary, sensitive, atmospheric works, fragments of an inner landscape that encourage the viewer to see differently.
“Quand Edgar peint ces toiles-là, il se tait.
On sent qu’il est ailleurs.”
— Le papa d’Edgar
Contemporary Canvases
Les Toiles Contemporaines
Edgar’s contemporary canvases open a new chapter in his artistic journey.
They are no longer quick bursts of instinct, but true spaces of breath and depth.
On these larger surfaces, he explores colour the way one explores a landscape: slowly, layer by layer, letting light appear, letting shadows settle, allowing movement to rise from underneath.
This series was born in many places: a windswept beach in Brittany where the air pushed the paint, a living room floor covered in paper where he worked side by side with a friend, a quiet room where he painted alone, fully absorbed.
Each canvas carries the memory of those moments — silence, motion, atmosphere.
Material plays a central role.
Edgar uses rollers, sponges, spatulas, brushes, and sometimes his fingers, stretching and softening the paint, building or erasing traces.
The surfaces become abstract landscapes: imagined forests, deep green interiors, misted horizons, floating sparks of colour that seem to drift just beneath the surface.
Nothing is figurative, yet everything evokes something.
In these works, colour speaks before form.
It shapes atmospheres, regions of calm, zones of intensity.
The canvases do not depict a place — they create one.
There is a surprising sense of maturity in this body of work.
When Edgar paints these larger pieces, he hardly speaks.
It is as if he steps inward for a moment, letting the painting guide him, letting the world quiet down around the gesture.
Displayed in a room, these canvases bring a presence that is both soft and powerful.
They do not tell a story — they invite one.
They are contemporary, sensitive, atmospheric works, fragments of an inner landscape that encourage the viewer to see differently.
“Quand Edgar peint ces toiles-là, il se tait.
On sent qu’il est ailleurs.”
— Le papa d’Edgar
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